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OnSite performance art festival at the University of British Columbia, March 26 2019.

With this piece I want to explore the logic of the movements associated with comfort and affection by displacing them so that they stand alone, separate from the function of acquiring what they are normally meant to acquire. With the repetition of a particular choreography I also want to question our sense of the passage of time, to ask if the movements of affection are themselves eternal and simply get replaced with various objects through the course of life.